Every sound on your Mac, the way you want it

EQ, effects and routing for every input, output, and app, in real time.

Requires macOS 26 or later

Driver

Built on its own audio driver

Re-Q comes with its own custom virtual driver, so every sound plays directly into it with nothing extra to install.

Driver

As many channels as you need

Switch between stereo up to 256 channels whenever you need to.

Driver

Surround ready

Supports any layout including stereo, 5.1, 7.1.4 or 9.1.6, and route any channel anywhere.

Driver

A lane for every app

The driver carries each app you route in its own lane, so its sound is kept apart from the rest of your Mac without tapping it.

Driver

Open source

The driver's code is public, so you can see exactly what runs on your Mac.

See the code on GitHub
Routing

Send any sound anywhere

Route individual apps, channels, or frequency bands with full control over which device plays which sound.

Routing

Every output at once

Play to your speakers, your TV and your headphones together, each with its own sound.

Routing

Apps where you want them

Keep a call in your headphones while your music plays on the speakers.

Routing

Dolby Atmos on any headphone

Hear a 7.1.4 or 9.1.6 mix all around you, on any pair you own.

Routing

Maps that follow your layout

Change your speaker layout and every connection moves with it.

Sync

Every speaker, perfectly in time

Play to your headphones, your speakers and your TV at once, and hear one sound. Re-Q works out how late each device plays and holds the quicker ones back, so they all land together.

Sync

Bluetooth and wired, together

Wireless devices run far behind wired ones. Re-Q lines them up, so they play as one.

Sync

Automatic, as devices come and go

Connect a device, unplug one or change a sample rate, and everything is lined up again straight away.

Sync

Fine tune any device

Realign the odd device that gets its own delay wrong, down to the millisecond.

Sync

Video stays in sync

Re-Q tells your Mac exactly how late its sound is, so video lines up with it, even on Bluetooth headphones. Switch outputs and it readjusts immediately.

Configs

Setups that switch themselves

Connect logic of your choice to decide how channels are mapped, surround layout, and each devices filters, switched as soon as something changes.

Configs

Triggers you choose

Devices connecting, apps playing, a microphone in use, the time of day and the day of the week, a Wi-Fi network, displays, battery, and how long you've been away.

Configs

Logic you can see

Compare and count what's going on, wire the answers through And, Or, Xor, Not and Nand, and watch each wire light up as it turns true.

Configs

Its own version of everything

Each configuration gets its own branch of every effects graph, its own channel maps, and its own driver settings.

Filters

Shape every sound

Wire effects together on a canvas for each output, input or app. Every change is heard instantly, and a live analyser shows exactly what your graph is doing.

Filters

Thirty effects, wired your way

  • Equalizer
  • Dynamics
  • Noise gate
  • De-esser
  • Transient shaper
  • Gain
  • Pan
  • Saturation
  • Distortion
  • Clipper
  • Bit crusher
  • Exciter
  • Tremolo
  • Vibrato
  • Chorus
  • Flanger
  • Phaser
  • Auto-pan
  • Echo
  • Delay
  • Reverb
  • Crossfeed
  • Stereo width
  • Haas widener
  • Mono
  • Swap channels
  • Invert
  • DC blocker
  • Pitch shifter
Filters

See what you hear

Seven live graphs: the spectrum, the difference your effects make, stereo, loudness, a spectrogram, every channel's level and every device's latency.

Filters

Split, process, merge

Split a sound by channel, by frequency band or into mid and side, treat each part on its own, then merge it back together.

Filters

Effects that react

Switch between paths as the level, the stereo width, the volume or sample rate changes.

Filters

Your own library

Save a single effect or a whole group of them, and drop it onto any graph.

Recordings

Record what you hear

Capture any output, input, app or the whole Mac, at the stage you choose. Straight from the app, after Dolby Atmos, or with every effect applied.

Recordings

Starts when the sound does

Arm it and walk away. Takes that never heard a thing are cleared away for you.

Recordings

One file, or one per source

Keep everything together, or every source on its own track.

Recordings

Safe when things change

Unplug a device or change a rate mid take, and the recording ends cleanly.

Ready to hear the difference?

Requires macOS 26 or later